Wednesday, June 21, 2006

Living, Breathing Brands

I thought this was a great article. I read it on Brandchannel.com. I highly recommend this site to anyone that is involved with marketing. The articles and insight are amazing.

This particular article by Martin Lindstrom struck a chord for me. One of the things that I've been noticing a lot more than ever are bland brands. Say that five times fast. Bland brands are everywhere. You can see it a lot with law firms and banks - I just want to know, who ever came up with the rule that banks, law firms, etc had to be boring? Lame! I think businesses in boring-brand-industries have a great opportunity to stand out these days. Someone needs to step up to the plate!

The Living Brand Manual
by Martin Lindstrom

At a well-known airline counter, I once noticed an elegantly attired man trying to squeeze his oversized luggage into one of those baggage-size-indicator frames. The man gave up trying to make the bag fit and abandoned his reading of the lengthy legal note above the frame. He directed his anger at the check-in staff. Their manner was as frosty and ill-humored as the signage. No natural repartee; no human connection. It's been replaced by a corporate standard.

Corporate standards are killing brands. So are the brand manuals that specify those standards and the logo-obsessive behavior they prompt. Legal jargon is packed into every email and into the smallest website. Just for the fun of it, try printing the legal section of a random site. Odds are your printer will soon run out of paper.

The legal jargon in every communication rarely helps anyone survive the machinations by which the jargon promises to protect the company at the client's expense. This artificial sense of protection amounts to seeking a divorce before you're even married. It's like saying to the consumer, "I don't know you yet, but I don't trust you anyway."


From that point on, a brand's unconsummated relationship with a potential customer is already on a steady path to oblivion. Rules don't generally respond to the vagaries of the human condition. And that's disastrous for a brand, which, if treated well, is almost human.


Compare the aforementioned check-in experience with a parallel one I witnessed at a rival airline’s counter. I'm sure the younger passenger at this airline counter had an even shorter fuse than the reserved traveler from the first airline. Yet he simply smiled when he realized his bag was too large for the cabin. Unlike the first airline’s luggage frame and attendant legalese, this airline’s luggage signage snap-happily advised, "You can bring an ego of any size on board—but only a bag this size." The humorous, human touch dissipated the potential for anger.


Yet another airline has a “Hello Gorgeous!” phrase on its website to greet users; the phrase establishes the tone of voice for the brand in the air, on the ground and online.


Along the same line, some coffee shops make an art of converting every detail into an amusing brand experience. A coffee shop based in the UK, for example, made news for putting individual messages on each cup, such as "Take my top off," referring to the plastic lid. Sugar packets are embellished with: "Serving suggestion: pour in cup and shut up."

Unfortunately, this is not the norm. Too many coffee shops have become boring and impersonal brands, taking the corporate brand manual approach. They simply and superficially adhere the logo to countless millions of cups. The rapport with customers is seemingly constrained by a corporate style manual.

So how do you achieve brand personality? And how do you allow the brand to grow without killing it with conventions? For many well-known companies, branding is on autopilot. The brands have lost the individual, responsive touch after being converted by their own brand manuals; documents full of rules, created by committees, leaving nothing to opportunity.

People, not books, are the best brand manuals. A brand is dynamic, humorous and human because one person runs the brand, owns the brand and sets the vision for the brand.


Instead of spending thousands of dollars on brand manuals that prescribe action, spend the money on a living brand manual. A person—someone whose role is to live and breathe that brand. This person should be the brand's evangelist, growing with the brand, and ensuring it never gets into situations that drain its spirit. A living brand manual should be prepared to change rules, shift guidelines and adjust the vision.

Some might find this a scary scenario. What if that individual leaves? Well, people do move on. But the contrived scenario involving the airlines is scarier. For such companies, the brand has turned to stone. It's immutable, self-justifying, and impervious to its relationship with customers.

The living brand manual, a brand custodian, is someone who wields the brand baton. The role must be accompanied by an exit strategy so when he/she leaves, tactics are in place to ensure the baton is smoothly passed to the next custodian. The handover needn't be artificially smooth, but it should be achieved without the baton being dropped. The point is to keep a real human being in charge of a humanized brand. Identifying and training the right person takes time. Once the position is in place, your brand achieves its own healthy life.

What'd ya think? Pretty good, huh? I like to consider myself our own living brand manual. If you were a fly on the wall, you'd hear me often talking about the power of brands that are built from the target audience perspective. I am the agency ambassador in so many ways, and very proud of it. So that’s all for now – I’m going to go back to wielding the agency baton!

Garret K. Ohm

Monday, June 19, 2006

Search Branding????

How Search Branding Is Better

IN TRADITIONAL ADVERTISING, EACH SEGMENT
along the buy-flow works independently from the next. Print, TV, and outdoor ads are geared towards the early buy-cycle; they're entirely different from brochures, which are targeted towards the research phase. That's why, for example, the car ad you see on television has little in common with the brochure you read at the car dealership. Different buy-flow point, different kind of ad.

Search is different. Searchers use the same medium--the engines--to do their initial research, as they do to learn about later buy-cycle information. They'll search to learn what kinds of cars are safe and which get good MPG; they'll also search, later on, to find a dealership that's nearby. Traditional media silo the buy-flow; search unifies it.

The fact that search unifies the buy-flow means a lot for search branding. That's because, as a searcher searches more, she isn't just gathering more information--she's placing a deepening trust in the engines as an information source. So displaying your ad at every point on the buy-flow creates a double win: you get your name out; and you leverage the faith that searchers place in the engines themselves.

The two parts of branding

I'll put it a little more precisely. Branding accomplishes two different things: It familiarizes people with you and gets them to like you; it also makes them feel that you're relevant for their particular need. Traditional branding is great at making people like you, but it's less capable at conveying the idea of relevance.

Getting people to like you, after all, is largely an issue of familiarity. And simply because they're everywhere--from your bus stop to your living room--traditional ads are great at generating familiarity. But being relevant means you've near-perfectly matched a consumer's checkoff list, which is something that's a lot harder to communicate through repetition alone. Often, people want a third party to verify relevance.

And since people don't see televisions, or magazine glossies, or even brochures as a source of relevant product or service information, the mere presence of your ad in those media won't increase your stature as a relevant brand. Search, on the other hand, is built entirely on relevance--and so being present in the engines carries the associations of the engines' relevance with it.

Search branding is good branding

That distinction can mean a lot as a searcher goes through the buy-flow--a process that, typically, includes between three and five unique searches. Over the course of those three to five searches, consumers go from uninformed shoppers to educated buyers; and while an uninformed shopper makes decisions primarily based on who they like most, relevance becomes a much stronger factor for the educated buyer--who might be looking at buying more rationally, because she's out to find specific product features, types of service, and value levels. And, in marketing, the endgame isn't appealing to shoppers at the beginning of the buy-cycle. The endgame is to make yourself appealing to shoppers at the end of the buy-cycle, when they're going to make a purchase.

Which is why it's as important to create branding that conveys relevance as it is to create branding that generates familiarity. And it's why advertising through search from the start of the buy-cycle can be so powerful for achieving conversions at the buy-cycle's end. The more searchers see you in the engines, the more they'll associate you with the overall relevance the engines provide--and that association can really pay off when they're figuring out where to buy.

(This all assumes, of course, that you've got the ability to parse keywords according to buy-cycle stage; that you can create ad copy that's tailored to phases in the buy-cycle; and that you have the analytics to create cost-efficient branding campaign--but that's a topic for another piece.)


Consumer Outlook

Almost 2/3 of Consumers Say Their Children Won't Be As Fortunate

According to the BIGresearch May Consumer Intentions and Actions Survey 62% of the 7,500 consumers survey said that their children and/or grandchildren will NOT have a better economic future than they looked forward to. Typical reasons ranged from the "better educated children and better technology," to "bad politics, bad government, inflation and national debt are killing us."

This negative anticipation was shared across all age groups, with more women responding negatively than men. However, younger respondents (ages 18-24) were not quite as downbeat as older consumers.

The age group with the most uncertain economic outlook on the future was 35-54-year-olds. Among this group:

  • 48% feel they do not have adequate savings for the future,
  • 31% are paying for purchases with cash more often, and
  • 34% plan to start increasing their savings in the next 90 days.

Joe Pilotta, VP of research for BIGresearch, said "... both male and female consumers in this age bracket (35-54) are fairly well educated, own their homes and are employed with an average household income of over $50,000 per year -- but there are very real economic concerns burdening them. ... They just don't see their situation getting any better, and that's how they see the future for their children."

These consumers are also curtailing:

  • Spending on dining out (42%)
  • Vacation travel (38%)
  • Entertainment (37%)

Fluctuating gas prices influenced many of these choices, especially for women ages 35-54.

Response to: "Do you think your children and/or grandchildren will have a better economic future than you?"


All

Men

Women

Age

Income





18-24

25-34

35-44

45-54

65+

<$50K

$50K+

Yes

37.5%

39.7%

35.5%

45.8%

41.8%

32.0%

32.5%

40.0%

36.2%

38.8%

No

62.5%

60.3%

64.5%

54.2%

58.2%

68.0%

67.5%

60.0%

63.8%

61.2%

Source: BIGResearch, May 2006

See release and access Top Line Findings by clicking here.

Wednesday, June 14, 2006

One Second Radio Ads

From Ad Age:

Clear Channel, the country's largest operator of radio
stations, is discussing the idea of one-second radio spots with marketers and media buyers. Called "Blinks," the new format is being promoted as something that could be used between music tracks by, say, McDonald's to play part of its "I'm lovin' it" jingle or Intel to play its chime or NBC for its bells between music tracks. Clear Channel VP-Creative Jim Cook says the one-second format is part of an effort "to find new uses of radio for advertisers who are continually asking us to demonstrate that our medium can successfully extend brands, can successfully reach the consumer with touchpoints that are new and surprising." Critics suggest the format is likely to fit a very small number of advertisers and is too restrictive for meaningful creative.

What do you think?

Newspaper Advertising

Newspaper Web Advertising Grows; Print Hangs In

According to preliminary estimates from the Newspaper Association of America, advertising expenditures for newspaper Web sites increased by 34.9 percent to $613 million in the first quarter versus the same period a year ago. Print and online expenditures together totaled $11.1 billion for the first quarter of 2006, a 1.8 percent year-over-year increase. Spending for print ads in newspapers totaled $10.5 billion, up 0.3 percent versus the same period a year earlier led by strong gains in real estate advertising.

NAA President and CEO, John F. Sturm, said "Newspaper publishers are winning on the Web and their efforts to attract visitors, build leading Internet properties and monetize their online investments are being recognized by advertisers and consumers - as shown by a full two years worth of outstanding consecutive gains. Meanwhile, newspaper print advertising continues to hold its own in the face of overall ad softness, reflecting our industry's ongoing dialogue with the advertising community to demonstrate the enduring value of newspapers' reach and engagement with consumer audiences."

Among the print categories:

  • Classified advertising was up 4.7%
  • Retail ad spending was down slightly by 1.0%
  • National advertising was down by 4.8%

Within the print classified category,

  • Real estate advertising climbed 26.3%
  • Recruitment advertising increased 2.4%
  • Automotive was down 14.5%
  • All other classifieds were up 11.9%

James Conaghan, NAA Vice President of Business Analysis & Research, pointed out that "Real estate was particularly strong in what is otherwise a seasonally soft quarter for print, as newspapers continue to demonstrate local market leadership... (while) Internet revenues... are beginning to gain more critical mass."

Newspaper Advertising Expenditures - Print (Billion Dollars; Chg vs, Same Period Previous Year)


Retail

%Chg

National

%Chg

Classified

%Chg

Total

%Chg

1st Q 2006

$4.87

-1.0%

$1.7

-4.8%

$3.89

4.7%

$10.50

0.3%

1st Q 2005

$4.93

2.8%

$1.82

-0.6%

$3.72

3.5%

$10.47

2.4%

Source: Newspaper Association of America Business Analysis and Research Department, May 2006

Newspaper Advertising Expenditures - Online + Print (Chg vs, Same Period Previous Year)


Online

%Chg

Print + Online

%Chg

1st Quarter 2006

$613.28 million

34.9%

$11.12 billion

1.8%

1st Quarter 2005

$454.62 million

39.7%

$10.93 billion

3.6%

Source: Newspaper Association of America Business Analysis and Research Department, May 2006

For the complete report, please visit here.

Tuesday, June 13, 2006

Article On Email Click Through Rates

Can you believe they're higher on the weekends? I never would have guessed it. It just goes to show you, though - you can never assume that you understand consumer behavior!

Enjoy this article from The Center For Media Research, and let me know if you could use any help with your email marketing campaigns. Though we love to work with clients in our own backyard, you don't have to be in the Washington DC, Maryland, and Virginia area to get help from us!

Without further ado, here's the article:

Email Open and Click Way Up in Early 2006
According to online marketing firm eROI, summarized by marketingvox.com, in the first quarter of 2006 the best email open and click rates were on weekends. Additionally, open and click rates increased significantly in the first quarter, compared with rates for Q4 2005. 40 percent and 60 percent increases in 2006, compared with 29 percent and 21 percent in 4th Q 2005. The study didn't take a position on the reasons for the increase, but opined that "Good subject lines and good creative get good results, bad creative and bad subject lines perform poorly." They go on to conclude that " the important takeaway here is... which day is best for the goal of your email."

The highest click rates in the first quarter, notes the summary, were on Sundays at 6.6 percent, when the open rates were 25.9 percent, the second-highest open rate for the week. Tuesdays had the highest open rates at 26.4 percent, and the second-highest click rate, at 6.2 percent. According to the eRoi April 2006 survey of email marketers, 83 percent of marketers see a significant increase in their lists from this time last year.

First Quarter 2006 Click and Open Rates


Sent

Open

Click

Sunday

3,623,215

25.9%

6.6%

Monday

10,741,952

25.2

4.5

Tuesday

18,207,620

26.4

6.2

Wednesday

17,475,817

24.8

5.9

Thursday

15,367,549

24.8

4.8

Friday

14,842,879

25.1

5.0

Saturday

2,047,889

24.1

5.0

Source: eROI, May 2006

It is especially interesting, says eROI, to see a large increase in opens and clicks during the weekend. Much of this activity can be attributed to the massive drop off in activities after the holidays.And, in lists with more than 25,000 recipients, sending is much more sporadic when compared to smaller list sizes.

For the release and access to the complete PDF report, please go here.

Monday, June 05, 2006

What's In A Name?

Usually when we talk to clients that have a new concept for a business, they come to us to create a brand and identity around that concept. That's what we do, so we're glad to talk to them. But often, the first thing that we tell them is that a brand is much more than just a name and a logo. Sure, those are important parts of the brand, but they are only pieces of the puzzle.

As we're creating that brand, we ask ourselves a couple of questions. First, we ask ourselves if the name we've come up with is creative and memorable? If so, we then ask ourselves if the tone of the name and/or logo fits in with the type of business we're trying to promote? As Tom Blackett of Interbrand says in the article below, there IS quite an art in naming if done properly. It's very important that the name chosen fits in with the established positioning. I particularly enjoyed the Kalashnikov reference - what he says is totally true. Kalashnikov just SOUNDS and FEELS damp, rigid and scary - like the gun itself!

http://www.brandchannel.com/brand_speak.asp?bs_id=138

Enjoy! I'll be back with more later.

Garret K. Ohm



Metrosexual Focused Marketing

I thought you guys might enjoy this. It talks about how some advertisers are focusing their efforts to reach the metrosexual market. That is, men who care more than most about their grooming and personal appearance. I'm not QUITE a full-on metrosexual, but I defintily have some tendencies toward that end.

http://www.brandchannel.com/start1.asp?fa_id=315

Garret Ohm


"Professor Porsche hammered his dreams out of aluminum and steel.
What's your plan?"

Internet Advertising

Check out this link. I pulled it from the Baltimore/Washington Corridor Chamber of Commerce enewsletter. We get it as part of our membership.

http://www.clickz.com/stats/sectors/advertising/article.php/3603121


I thought some of you might want to see this. It's a listing of the top 50 companies that spend money to advertise on the internet. When you think about how much money must be spent on Intenet advertising in the United States, it boggles the mind. The top internet advertiser spends like $22 million on internet ads. That's crazy - but considering how trackable internet advertising is, I'm sure Vonage has a great idea of how well it's working for them. My guess is that it's providing a generous return!

This is probably one of the reasons why mass media like TV and Print are having such a hard time - because now they're forced to split their profits with yet another powerful medium! Alas, one that's more trackable, more interactive and able to focus even tighter on a specific demographic and psychographic!

Good stuff. Definitely more on this later!

Garret Ohm


"Professor Porsche hammered his dreams out of aluminum and steel.
What's your plan?"